Suzanne Santo’s recommendation: “One of my favorite musicians of all time is a jazz violinist from Louisiana named Eddie South. I only have one record called Eddie South: The Dark Angel of the Fiddle: The Complete Standard Transcriptions that I listen to over and over. It is an instrumentally driven compilation (sans vocals) of the most gorgeous violin playing I have ever heard. He gave the instrument a dark yet delicate voice that I have yet to hear anyone else recreate. His gifts as well as his struggles as an African American musician in the late 20′s and 30′s are a true inspiration to me.
The other artist/album I can never get enough of is Radiohead’s In Rainbows. That record takes me through a gauntlet of emotions that leave me either wanting to go for a run, get it on or quit music and become an assassin. I come from the “mixed tape/cd” era where I want to feel a little bit of everything when I listen to music.”
About our guest author, Suzanne Santo: Suzanne Santo was working as an actress and tinkering in music when Ben Jaffe, a musician who recorded music for TV and film, went to one of Santo’s solo gigs. From there, the duo formed the band honeyhoney and were quickly signed to Kiefer Sutherland’s Ironworks music label. (Kiefer went on to star in and directed their video for Little Toy Gun.) Given Santo’s killer looks and the band’s history with mass media, it may be easy to write the group off as simply a solid band that aspires to end up on sitcom soundtracks. But that’d be a huge mistake. The band’s latest record, Billy Jack is layered with banjos and acoustic guitars, evoking equal parts of Gram Parsons, Rickie Lee Jones and Buffalo Springfield. This is roots music with a modern twist, complete with tight arrangements and Santo’s heartfelt vocals. Amazingly, the band is able to walk the mainstream line (they opened for Christina Perri on her tour) and still keep their head in the Dust Bowl. Be sure to check out their rollicking live shows on these upcoming tour dates.
Ben Nichols’ recommendation: “I went through my whole itunes library looking for what moved me the most. It was a tough choice. Some things I skipped over because they were too well known or too obvious, others because as much as I love them I don’t listen to them often enough to feel right writing about them. Made a list and narrowed it down to about 15 artists and bands that really hit me where it counts, from the Constantines to The Faces to The Night Marchers to Warren Zevon. But the record that has honestly been the most moving to me and the most listened to in recent times is All Night Bedroom Revival (available for free download) by a guy named Joey Kneiser. Joey Kneiser is best known as the lead singer for Tennesee-based band Glossary. This is a solo record however and I believe Joey plays everything on it. It’s mainly acoustic guitar with a few overdubs but never sounds like it’s missing anything. People discuss “brilliant songwriting” all the time and usually that just isn’t the proper description of whatever they are talking about… but that is exactly what these songs are. Bruised Ribs, The Big Ocean, and Funeral Flowers are three of the most moving on the record. Joey takes the best elements of Rock & Roll songwriting and combines them with the more thoughtful and emotional singer/songwriter style of doing things and comes up with exactly the right mix. Not too simple and not too complicated. Brilliant songwriting.”
About our guest author, Ben Nichols: Ben Nichols fronts Lucero, an alt-country band that was formed in Memphis in the late ’90s. The band has been a critics favorite and has a backstory that can only be described as Wilcoesque. Their early albums have won the praises of critics and they have a steady following, but success was limited by the flailing music business. They’ve put out killer albums only to have their labels fold but they’ve persevered by starting their own label and putting on killer live shows. Ben also put out a solo record, The Last Pale Light in the West which was inspired by Cormac McCarthy’s novel, Blood Meridian. Be sure to check Lucero webstite to check the Lucero live dates and listen to album audio streams.
Serge Bielanko’s recommendation: “I’d say that Badly Drawn Boy and his record The Hour of Bewilderbeast move me more these days than much of anything else. I really can’t put my finger on it exactly, which is how it usually goes with the best stuff. It’s a combination of things, I think. The songs are beautiful and eloquent without even trying. And the music is this hodgepodge flea market of folk and pop, with magnificent clever beats and melodies. I can’t say enough about it really. There are a lot of songs on the record, something like 17 or 18, and that usually is a bad sign. Not here though. There isn’t any filler at all. None. Everything sort of flows together, songs ooze into other songs. I think it there might be magic spells hidden back behind the chords. Whenever I put it on, usually in the car, I see deer and rabbits and shit. Wild things come out of the forest. That doesn’t happen with most records, you know. I never had it happen when I played any other albums, so I quit listening to most of them.
I have never really admitted this to myself before, but I’m gonna do it here. Why not. I love this record maybe more than any record I have ever listened to. No lie. I find the whole damn thing inspiring and hopeful and pumped full of some kind of love that isn’t easy or free, but is worth it in the end. It isn’t a record to share with your friends while you sit around the kitchen table drinking beers and bullshitting. It’s more like a hundred dollar bill. You keep that shit in your wallet, it makes you happy/gives you a little peace of mind in a mad world. You don’t go flashing it around.
Does that make sense?
No?
Ok. Try this.
Badly Drawn Boy’s Hour of the Bewilderbeast is basically the soundtrack to meeting an old elf in a country pub and getting drunk with him out in the beer-garden, in the warm and pouring rain.”
About our guest author, Serge Bielanko: The last we heard from Serge musically was in 2008 where he belted out stirring vocals (check Wilderness below) on Marah’s masterwork, Angels of Destruction!. He then moved out to Utah, became a Dad and showed us another side of his greatness through the incredibly well written dad-blog, Thunder Pie. (We here at Rocktorch.com also return to Serge’s great tribute to Bruce Springsteen’s right hand man, Terry Magovern (scroll down for Serge’s piece) every so often, just to remind ourselves that dreams really do freakin’ come true!). But now, Serge is back in the band, joining brother Dave and Christine Smith to set the music world straight and, to put it plainly, we can’t fuckin’ wait. Spy the rehearsal video below and catch one of the US shows in VA and PA before they go off and conquer Spain. Serge, welcome back!
Lindi Ortega’s recommendation: “The band that moves me lately is a Canadian band called Timber Timbre. I just love their spooky dark music. I listen their music on a daily basis. The vocals are just so unique and mesmerizing.”
New to Timber Timbre? Lindi suggests you start here: “The album I would recommend is Creep On Creepin’ On. It’s atmospheric, textured, haunting, and leaves you slightly uneasy in the most beautiful way ever!”
About our guest author, Lindi Ortega: Hailing from Canada, Lindi Ortega has spent the last ten years earning her stripes and a reputation for being “Toronto’s best kept secret.” She has two EPs under her belt and has opened shows for Keane and Kevin Costner and the Modern West (where have we been? Kevin Costner has a band?) and recently backed up Killers frontman Brandon Flowers on his solo tour. Her latest record, Little Red Boots is produced by Juno winning producer Ron Lopata and is a splendid blend of rockabilly, country and a whole lotta sass. The album has fantastic buzz and recently reached number 18 on the Roots Country chart. Lindi is currently on tour (check her website for a listing of tour dates) and is offering her fiery single Little Lie (video and sound file below) as a free download on her Facebook page.
Chris Smither (photo by Jeff Fasano) and Jeffrey Foucault
Chris Smither’s recommendation: “{Jeffrey Foucault} is a guy you should be listening to, especially if you like to think. I like to think, so it suits me. The Horse Latitudes are a part of the ocean where the air is often perfectly calm for weeks at a time. Hot, too. Not ideal for people on sailboats. But it probably gave them lots of time to think, even when they didn’t want to. Which is what Jeffrey does…thinks, even when he’s not too happy about it.
The band is great, the singing is great, I wouldn’t bother to talk about the record if they weren’t, but it’s the thinking that sets it apart, and the wondering WHY you’re thinking, since, as one song points out, everybody’s famous and it doesn’t seem to matter much. And the last song, Tea and Tobacco, which says that if this is all there is I wish I had less of it. Very nice. Succinct, too. Make sure you read along with the lyrics. They’re included. No extra charge.”
About our guest author, Chris Smither: We couldn’t be more honored to have Chris contribute to Rocktorch.com. He has twelve albums under his belt and his music has been covered by the likes of Bonnie Raitt (who affectionately once referred to Smither as “my Eric Clapton”), Emmylou Harris and Diana Krall. Not too shabby, huh? What? We still don’t have your attention? Perhaps the AP describing Smither as “…an American original, a product of the musical melting pot, and one of the absolute best singer-songwriters in the world” will wake you up. Simply put, your record collection cannot afford to be without a Smither album, so click as we know you want to and pick up his latest, Time Stands Still and then treat yourself to a night out at one of his upcoming live shows.
About our guest author, Suzanne Santo: Suzanne Santo was working as an actress and tinkering in music when Ben Jaffe, a musician who recorded music for TV and film, went to one of Santo’s solo gigs. From there, the duo formed the band honeyhoney and were quickly signed to Kiefer Sutherland’s Ironworks music label. (Kiefer went on to star in and directed their video for Little Toy Gun.) Given Santo’s killer looks and the band’s history with mass media, it may be easy to write the group off as simply a solid band that aspires to end up on sitcom soundtracks. But that’d be a huge mistake. The band’s latest record, Billy Jack
About our guest author, Ben Nichols: Ben Nichols fronts Lucero, an alt-country band that was formed in Memphis in the late ’90s. The band has been a critics favorite and has a backstory that can only be described as Wilcoesque. Their early albums have won the praises of critics and they have a steady following, but success was limited by the flailing music business. They’ve put out killer albums only to have their labels fold but they’ve persevered by starting their own label and putting on killer live shows. Ben also put out a solo record, 
move me more these days than much of anything else. I really can’t put my finger on it exactly, which is how it usually goes with the best stuff. It’s a combination of things, I think. The songs are beautiful and eloquent without even trying. And the music is this hodgepodge flea market of folk and pop, with magnificent clever beats and melodies. I can’t say enough about it really. There are a lot of songs on the record, something like 17 or 18, and that usually is a bad sign. Not here though. There isn’t any filler at all. None. Everything sort of flows together, songs ooze into other songs. I think it there might be magic spells hidden back behind the chords. Whenever I put it on, usually in the car, I see deer and rabbits and shit. Wild things come out of the forest. That doesn’t happen with most records, you know. I never had it happen when I played any other albums, so I quit listening to most of them.
About our guest author, Serge Bielanko: The last we heard from Serge musically was in 2008 where he belted out stirring vocals (check Wilderness below) on Marah’s masterwork, 
About our guest author, Lindi Ortega: Hailing from Canada, Lindi Ortega has spent the last ten years earning her stripes and a reputation for being “Toronto’s best kept secret.” She has two EPs under her belt and has opened shows for Keane and Kevin Costner and the Modern West (where have we been? Kevin Costner has a band?) and recently backed up Killers frontman Brandon Flowers on his solo tour. Her latest record, 
are a part of the ocean where the air is often perfectly calm for weeks at a time. Hot, too. Not ideal for people on sailboats. But it probably gave them lots of time to think, even when they didn’t want to. Which is what Jeffrey does…thinks, even when he’s not too happy about it. 
About our guest author, Chris Smither: We couldn’t be more honored to have Chris contribute to 
and then treat yourself to a night out at one of his 
