Rock Torch

Britta Phillips of Dean and Britta carries a torch for Papercuts

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Britta Phillips of Dean and Britta and Jason Quever of Papercuts

Britta Phillips and Jason Quever of Papercuts

Britta Phillips’s recommendation: “Papercuts are from San Francisco and will be opening for us in L.A. & SF next week! (Nov. 11th & 13th – tour details here). They have a gorgeous, lo-fi retro sound that is both beautiful and sad. There is an edgy melancholy to it that is bittersweet in the way Galaxie 500 is, but they sound like themselves, like they’re transmitting from their own far-away planet. I wasn’t sure if it was a boy or girl singing at first which was cool.”

If you are new to Papercuts, Britta recommends you start with the You Can Have What You Want album.

MP3: John Brown by Papercuts

Britta PhillipsAbout our guest author, Britta Phillips: Britta Phillips is the beautiful female half of Dean and Britta. Both Britta and her band partner, Dean Wareham, were members of critic fave Luna and the duo has been doing very cool things since they formed in 2005. Most recently, the band was commissioned by the Andy Warhol museum to perform while Andy’s silent screen tests were projected. The songs from that record are now available as a double CD titled 13 Most Beautiful. Equally cool is the duo’s appearance on Nick Jr.’s Yo Gabba Gabba! (awesome video below). Be sure to check the Dean and Britta web site for tour dates and know that on some of the dates, the band will be doing exclusive sets of Galaxie 500 tunes or the Warhol inspired tunes. AMAZING.

Anna-Lynne WilliamsAbout the guest author, Anna-Lynne Williams: Anna-Lynne is one half of the band Trespassers William, the Seattle based shoegaze duo that have caught the eyes and ears of several television music soundtrack producers. Their brand of dream pop has been showcased most notably on Felicity, The O.C., and One Tree Hill. The band is currently working on their fourth album, but in the mean time, Anna-Lynne has released a gorgeous solo record under the name of Lotte Kestner. And big points to you out there that knew that the group’s name is borrowed from a character in Winnie the Pooh, a reference we actually confirmed on Just-Pooh.com.

Keep up with Trespassers William at their official site and hear Anna-Lynne’s performance of ‘Alone’ in the YouTube clip below:


Adam Franklin carries a torch for Elvis Costello and the Attractions

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Adam Franklin and Elvis Costello and the Attractions

Adam Franklin and Elvis Costello and the Attractions

Adam Franklin’s recommendation: “In 1979 you could get hold of a button badge that read: Blondie Is A Group. There wasn’t a button badge that read Elvis Costello & The Attractions Is A Group but Elvis’ third album Armed Forces was the first one to credit his band on the sleeve.

I remember buying the seven inch of Oliver’s Army on my lunchbreak at school and I didn’t pick up on the fact that Steve Nieve’s piano was mimmicking Benny Andersson’s runs on Dancing Queen by ABBA. Elvis and his cronies had apparently also been immersing themselves in Krautrock and amphetamines while on tour in the US the year before and these elements all influenced their new album.

Nick Lowe’s production on the album is a minor miracle and the playing is exquisite throughout. Elvis Costello & the Attractions really IS a band! It’s the perfect marriage of an angry but eloquent singer songwriter with a flexible group who could really lock it down Muscle Shoals style or kick ass and rock out when they needed to. The band plays as one organism, tightly coiled and are so flexible, they’re almost double-jointed at times.

Elvis has said that he felt like he and drummer Pete Thomas were the rhythm section as keyboardist Steve Nieve and bass player Bruce Thomas would embark on crazy runs and textured arpeggios all over the place, criss-crossing stages right and left. Apart from the occasional dissonant spy guitar or twangy psychedelicised tremelo chord, Elvis is mainly just playing simple, slightly distorted chords on his Fender Jazzmaster and he’s really the anchor.

As a burgeoning guitar player though it was Bruce Thomas’ bass playing that I really latched on to – the way that at times he will be playing off Nieve’s keyboard lines or harmonizing with Costello’s vocal. Plenty of times of course he simply locks down low notes with Pete Thomas’ kick drum patterns but at others he’s actually the highest note in the whole spectrum – the descending run 25 seconds into the first verse of Party Girl being the primary example here.

I learned a hell of a lot about chord inversions from listening to Thomas’s parts on Costello’s songs and if part of my mind is forever in 1979 – and I think it might be – then Elvis Costello & the Attractions are firmly rooted in there.”

Buy the album here:

Elvis Costello's Armed Forces
Armed Forces

Or listen to a track from the album:

More about the guest author, Adam Franklin: Franklin may be best known as the lead singer/songwriter for Swervedriver, but he also fronts the guitar-driven Bolts of Melody whose new album, I Could Sleep For A Thousand Years comes out on June 29 on Second Motion Records. Keep up with developments about the album and upcoming shows on the Melody Bolts website.

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